The work explores the forest as sacred space; making the invisible visible through magnifying and elevating the minutia of the hidden worlds and networks that sustain life. I am making a series of intricate drawings which bring together the ecclesiastical architecture found in early renaissance and medieval paintings with biological and scientific drawings of tiny organisms such as fungi, spores and lichens. The three panels on three trees form a Triptych evoking the devotional artwork of religious paintings, but situated not in a Gothic Cathedral, but the transcendental space of the forest, often a place of transformation and discovery in fairytales and mythology. The practical tying of the work to the trees is influenced by pre-Christian pagan rituals; a symbolic way of remembering and returning to a more sustainable and mystical relationship with nature. My hope is to create a contemplative space where both the hidden and invisible aspects of the forest, and our own secret and inner-selves can find expression, illumination and place.